Back to Back Theatre’s Multiple Bad Things

Back to Back Theatre, founded in 1987 by Cas Anderson in Geelong, celebrated its 40th anniversary with the premiere of *Multiple Bad Things*, a play addressing contemporary social tensions, while also winning prestigious awards like the 2022 International Ibsen Award. The company, known for its global impact and regional roots, collaborated with new designers and introduced artistic associate Tamara Searle directing alongside Ingrid Voorendt for this futuristic workplace-themed production.
Back to Back Theatre, a Geelong-based company founded in 1987 by Cas Anderson, marked its 40th anniversary this month with the premiere of *Multiple Bad Things* at the Geelong Arts Centre. The play, devised by the company with Melissa Reeves as script consultant, explores heightened tensions in modern life—such as political extremism, conspiracy theories, and the cost-of-living crisis—through a futuristic warehouse setting where workers clash over culture wars. The production features new collaborators, including Zoë Barry for composition and sound design, and Anna Cordingley for set and costume design. It also marks the first major show directed by artistic associate Tamara Searle alongside Ingrid Voorendt. Back to Back Theatre has earned global acclaim, including the 2022 International Ibsen Award and the Golden Lion Lifetime Achievement in Theatre at the Venice Film Festival. Five core company members—Simon Laherty, Sarah Mainwaring, Scott Price, Breanna Deleo, and Natasha Jynel—contribute to the play, with Laherty delivering a trigger warning that critiques societal sensitivities. The stage design transforms scaffolding into a skeletal house, blending labor and metaphor under Richard Vabre’s lighting. After its Geelong debut, *Multiple Bad Things* will tour to Belgium before reaching Melbourne’s Malthouse Theatre in May. Back to Back Theatre’s success reflects a commitment to regional development over short-term metropolitan projects. Their work, often immersive and thought-provoking, challenges audiences to engage deeply rather than passively observe. The company’s global reach and local roots continue to redefine Australian theatre’s impact on the world stage.
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